Behzad, Kamaleddin Miniatures

Kamaleddin Behzad was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Persian periods. 1450 to 1535. Behzad is considered as all times best Persian painter pioneered Behzadian miniature painting style.
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" رقص دراویش "، برگی از دیوان حافظ، منسوب به بهزاد، حدود 1480 میلادی، هرات "Dancing Dervishes", Folio from a Divan of Hafiz Painting attributed to Bihzad ?(ca. 1450–1535/36) Object Name: Folio from an illustrated manuscript Date: ca. 1480 Geography: Herat Medium: Opaque watercolor and gold on paper Dimensions: Painting: H. 6 5/16 in. (16 cm) W. 4 1/4 in. (10.8 cm)

" رقص دراویش "، برگی از دیوان حافظ، منسوب به بهزاد، حدود 1480 میلادی، هرات "Dancing Dervishes", Folio from a Divan of Hafiz Painting attributed to Bihzad (ca. Object Name: Folio from an illustrated manuscript Date: ca.

نظامی گنجوی استاد و شاگردانش، رقم کمال‌الدین بهزاد، حدود 1482 میلادی Bihzâd? (Vers 1460) Un maître et ses disciples, Vers 1482 Feuille: 232 x 123 mm (miniature, recto); feuille: 244 x 141 mm (calligraphie, verso); feuille: 358 x 222 mm (montage) Encre noire, gouache et or sur papier monté sur une page d'album blanche au recto et encadrement verdâtre, et au verso : fond bleu Cabinet d'arts graphiques des Musées d'art et d'histoire, Genève,

نظامی گنجوی استاد و شاگردانش، رقم کمال‌الدین بهزاد، حدود 1482 میلادی Bihzâd? (Vers 1460) Un maître et ses disciples, Vers 1482 Feuille: 232 x 123 mm (miniature, recto); feuille: 244 x 141 mm (calligraphie, verso); feuille: 358 x 222 mm (montage) Encre noire, gouache et or sur papier monté sur une page d'album blanche au recto et encadrement verdâtre, et au verso : fond bleu Cabinet d'arts graphiques des Musées d'art et d'histoire, Genève,

صورت مولانا عبدالله هاتفی جامی ، رقم کمال الدین بهزاد، حدود 1511 میلادی، هرات، دوره صفوی Object name Portrait Of The Poet Hatifi Jami Geography Herat, Afghanistan Period Safavid, circa 1511 CE Dynasty Safavid Materials and technique Opaque watercolour and gold on paper Dimensions Page 11.8 x 7.7 cm; Image 9.4 x 6 cm

Object name Portrait Of The Poet Hatifi Jami Geography Herat, Afghanistan Period Safavid, circa 1511 CE Dynasty Safavid Materials and technique Opaque watercolour and gold on paper Dimensions Page x cm; Image x 6 cm

Iskandar, in the likeness of Husayn Bayqara, visiting the wise man in a cave. Ascribed to Bihzad underneath, but to Qasim ʻAli in the text panel. (BL Or.6810, f. 273r). - Herat, 1494-95

Iskandar, in the likeness of Husayn Bayqara, visiting the wise man in a cave. Ascribed to Bihzad underneath, but to Qasim ʻAli in the text panel.

Mahan confronted by demons finds his horse transformed into a seven-headed dragon  Khamsah (Quintet) of Nizami Herat, 846/1442 Bihzad? British Library Add. 25900, f. 188r

Mahan confronted by demons finds his horse transformed into a seven-headed dragon Khamsah (Quintet) of Nizami Herat, Bihzad British Library Add.

Timur's army attacks the survivors of the town of Nerges, in Georgia, in the spring of 1396. A miniature from the 16th-century '‘Zafar-namah’' of Sultan Husayn Mirza by the artist Kamāl ud-Dīn Behzād.

Timur's army attacks the survivors of the town of Nerges, in Georgia, in the spring of A miniature from the '‘Zafar-namah’' of Sultan Husayn Mirza by the artist Kamāl ud-Dīn Behzād.

Bahram Gur kills the dragon. Ascribed to Bihzad in the margin of the lower text panel  Khamsah (Quintet) of Nizami Herat, 846/1442 Bihzad British Library Add. 25900, f. 161r

Bahram Gur kills the dragon. Ascribed to Bihzad in the margin of the lower text panel Khamsah (Quintet) of Nizami Herat, Bihzad British Library Add.

From the story of ʻKhusraw and Shirinʼ. The elders plea with King Hormuzd to forgive his son Khusraw. Ascribed to Bihzad

From the story of ʻKhusraw and Shirinʼ. The elders plea with King Hormuzd to forgive his son Khusraw. Khamsah of Nizami Ascribed to Bihzad Herat, British Library f.

ای چهارده ساله قره العین بالغ نظر علوم کونین آن روز که تو هفت ساله بودی چون گل به چمن حواله بودی اکنون که به چهارده رسیدی چون سرو به اوج بر کشیدی نظامی گنجوی استاد و شاگردانش، رقم کمال‌الدین بهزاد، حدود 1482 میلادی Bihzâd (Vers 1460) A master(Nizami) and his disciples, Towards 1482  Black ink, gouache and gold on paper mounted on a white scrapbook page frame on the front and green, and back: blue background Cabinet of Graphic Arts Museums of Art and History, Geneva,

ای چهارده ساله قره العین بالغ نظر علوم کونین آن روز که تو هفت ساله بودی چون گل به چمن حواله بودی اکنون که به چهارده رسیدی چون سرو به اوج بر کشیدی نظامی گنجوی استاد و شاگردانش، رقم کمال‌الدین بهزاد، حدود 1482 میلادی Bihzâd (Vers 1460) A master(Nizami) and his disciples, Towards 1482 Black ink, gouache and gold on paper mounted on a white scrapbook page frame on the front and green, and back: blue background Cabinet of Graphic Arts Museums of Art and History, Geneva,

Timur granting audience on the occasion of his accession - Attributed to Kamāl ud-Dīn Behzād - - Zafarnama, or Book of Victory, ca 1467

Timur granting audience on the occasion of his accession - Kamāl ud-Dīn Behzād - Wikipedia, the free encyclopedia

Attributed to `Abd al-Razzaq by Jahangir, black and white sketch attributed to Bihzad by Dust Muhammad, probably by Qasim Ali (pupil of Bihzad), like most of the other 22 paintings in the 1494/5 Khamsa.

Attributed to `Abd al-Razzaq by Jahangir, black and white sketch attributed to Bihzad by Dust Muhammad, probably by Qasim Ali (pupil of Bihzad), like most of the other 22 paintings in the Khamsa.

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