Nizami-Layla & Majnun لیلی و مجنون

Layla and Majnun is the third of Nizami's five long narrative poems, Khamsa. Qays and Layla fall in love with each other when they are young, but when they grow up Layla’s father doesn't allow them to be together. Qays becomes obsessed with her, and the community gives him the epithet Majnun. When Majnun heard of her marriage, he fled the tribal camp and began wandering the surrounding desert.
Majnun Brought to Layla's Tent by the Old Woman

Majnun Brought to Layla's Tent by the Old Woman

An Image of Majnun with Verses from the Poem Layla va Majnun, Persian, 19th century Painting With Calligraphy

An Image of Majnun with Verses from the Poem Layla va Majnun, Persian, 19th century Painting With Calligraphy

Layla Visits Majnun in the Palm Grove, Page from a Khamsa (Quintet) of Nizami. Ink, opaque watercolor and gold on paper, Iran, Shiraz, 1550-1575

Layla Visits Majnun in the Palm Grove, Page from a Khamsa (Quintet) of Nizami. Ink, opaque watercolor and gold on paper, Iran, Shiraz, 1550-1575

Lailā Summons Majnūn to Her Camp | The Morgan Library & Museum

Lailā Summons Majnūn

Lailā Summons Majnūn to Her Camp | The Morgan Library & Museum

Sayyid Muhammad Isfahani Layla on a camel "composite" formed countless human and animal figures, 1860 Leaf: 283 x 169 mm (lithography); sheet: 313 x 200 mm (written surface); sheet: 369 x 249 mm (mount) colored lithograph with watercolor on paper, mounted on cardboard pink Obligatory mention: Cabinet of Graphic Arts Museums of Art and History, Geneva

Sayyid Muhammad Isfahani Layla on a camel "composite" formed countless human and animal figures, 1860 Leaf: 283 x 169 mm (lithography); sheet: 313 x 200 mm (written surface); sheet: 369 x 249 mm (mount) colored lithograph with watercolor on paper, mounted on cardboard pink Obligatory mention: Cabinet of Graphic Arts Museums of Art and History, Geneva

TWO ILLUSTRATED LEAVES FROM A COPY OF THE KHAMSA OF NIZAMI: KHUSRAW AND SHIRIN ; LEYLA AND MAJNUN, SAFAVID PERSIA, 16TH CENTURY

TWO ILLUSTRATED LEAVES FROM A COPY OF THE KHAMSA OF NIZAMI: KHUSRAW AND SHIRIN ; LEYLA AND MAJNUN, SAFAVID PERSIA, 16TH CENTURY

Lailā and Qais in School | The Morgan Library & Museum

Lailā and Qais in School

Lailā and Qais in School | The Morgan Library & Museum

An illustration from Nizami's Layla and Majnun: Majnun's father goes to ask for Layla's hand in marriage to Majnun, Persia, Safavid, possibly Qazwin, 17th century | lot | Sotheby's

An illustration from Nizami's Layla and Majnun: Majnun's father goes to ask for Layla's hand in marriage to Majnun, Persia, Safavid, possibly Qazwin, 17th century | lot | Sotheby's

The Prophet Muhammad’s Ascent to Heaven (painting, verso; text, recto), folio from a manuscript of the Khamsa (Layla and Majnun) by Nizami - Iran, Shiraz 1584

The Prophet Muhammad’s Ascent to Heaven (painting, verso; text, recto), folio from a manuscript of the Khamsa (Layla and Majnun) by Nizami - Iran, Shiraz 1584

Majnūn Visits Lailā's Camp for the Last Time | The Morgan Library & Museum

Majnūn Visits Lailā's

Majnūn Visits Lailā's Camp for the Last Time | The Morgan Library & Museum

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