Osmanli

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Muhammad Adil Shah (verso), Calligraphy (recto), Folio from an album Attributed to Muhammad Khan Possibly Nadir al-Zaman Mahdi (India, flourished 1600-1630, born 1588) India, Karnataka, Bijapur (verso); India, Deccan (recto), 1650 or later (verso), 1717-1718 (recto) Drawings; watercolors Opaque watercolor, gold, and ink on paper Image (recto): 5 3/8 x 2 7/8 in. (13.65 x 7.3 cm); Image (verso): 5 7/8 x 3 13/16 in. (14.92 x 9.68 cm); Sheet: 16 3/16 x 10 5/8 in. (41.12 x 26.99 cm)

Muhammad Adil Shah (verso), Calligraphy (recto), Folio from an album Attributed to Muhammad Khan Possibly Nadir al-Zaman Mahdi (India, flourished 1600-1630, born 1588) India, Karnataka, Bijapur (verso); India, Deccan (recto), 1650 or later (verso), 1717-1718 (recto) Drawings; watercolors Opaque watercolor, gold, and ink on paper Image (recto): 5 3/8 x 2 7/8 in. (13.65 x 7.3 cm); Image (verso): 5 7/8 x 3 13/16 in. (14.92 x 9.68 cm); Sheet: 16 3/16 x 10 5/8 in. (41.12 x 26.99 cm)

((إِنَّ اللَّهَ وَمَلائِكَتَهُ يُصَلُّونَ عَلَى النَّبِيِّ يَا أَيُّهَا الَّذِينَ آمَنُوا صَلُّوا عَلَيْهِ وَسَلِّمُوا تَسْلِيمًا))[الأحزاب:56]

((إِنَّ اللَّهَ وَمَلائِكَتَهُ يُصَلُّونَ عَلَى النَّبِيِّ يَا أَيُّهَا الَّذِينَ آمَنُوا صَلُّوا عَلَيْهِ وَسَلِّمُوا تَسْلِيمًا))[الأحزاب:56]

وجعلنا من الماء كل شئ حي

وجعلنا من الماء كل شئ حي

Algérie - Peintre Français Hippolyte Lazerges (1817-1887), Huile sur toile 1881, Titre : Maternité

Algérie - Peintre Français Hippolyte Lazerges (1817-1887), Huile sur toile 1881, Titre : Maternité

BEY Osman Hamdi ~ Turkish (1842 – 1910)

BEY Osman Hamdi ~ Turkish (1842 – 1910)

Algérie - Peintre Français Hippolyte Lazerges (1817-1887), Huile sur toile 1877 , Titre : Conversation entre deux Algéroise

Algérie - Peintre Français Hippolyte Lazerges (1817-1887), Huile sur toile 1877 , Titre : Conversation entre deux Algéroise

Raimundo de Madrazo y Garreta (1841-1920) Arab Warrier

Raimundo de Madrazo y Garreta (1841-1920) Arab Warrier

La princesse de Byzance meurt devant San’ân, anonyme, Ispahan (Iran), première décennie du XVIIe siècle. The Metropolitan Museum of Art, New York. Dans le Cantique des Oiseaux d''Attâr illustré par la peinture en Islam d'orient, Editions Diane de Selliers

La princesse de Byzance meurt devant San’ân, anonyme, Ispahan (Iran), première décennie du XVIIe siècle. The Metropolitan Museum of Art, New York. Dans le Cantique des Oiseaux d''Attâr illustré par la peinture en Islam d'orient, Editions Diane de Selliers

Babur was a turkic speaking central asian ruler descended from Timur a Turko-Mongol and Genghis Khan a mongol. Ousted from Central Asia, Babur pushed through the Khyber Pass into northern India from Afghanistan in 1526 forming the Mughal (Mongol) Empire. His son Humayun was driven out into Persia but forged diplomatic ties with the Safavid Courts. Cultural contacts between India and Iran formed an Indo-Persian styled empire after his return in 1555. His son Akbar consolidated the Mughal…

Babur was a turkic speaking central asian ruler descended from Timur a Turko-Mongol and Genghis Khan a mongol. Ousted from Central Asia, Babur pushed through the Khyber Pass into northern India from Afghanistan in 1526 forming the Mughal (Mongol) Empire. His son Humayun was driven out into Persia but forged diplomatic ties with the Safavid Courts. Cultural contacts between India and Iran formed an Indo-Persian styled empire after his return in 1555. His son Akbar consolidated the Mughal…

Painting by Muhammad Zaman dated Mazandaran, 1086 (1675/76). The servant girl Fitnah impresses Bahram Gur with her strength by carrying an ox on her shoulders

Painting by Muhammad Zaman dated Mazandaran, 1086 (1675/76). The servant girl Fitnah impresses Bahram Gur with her strength by carrying an ox on her shoulders

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