peri

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An Ottoman Drawing of a Peri, attributable to Veli Can, Turkey, 16th century | Lot | Sotheby's

An Ottoman Drawing of a Peri, attributable to Veli Can, Turkey, 16th century | Lot | Sotheby's

Fresco at the Holy Monastery of Dionysiou (c. 1545), Mt. Athos, Greece / Six-winged Seraphim; Greece .; XVI century

Fresco at the Holy Monastery of Dionysiou (c. 1545), Mt. Athos, Greece / Six-winged Seraphim; Greece .; XVI century

Six-winged seraph from MS 66 (late twelfth-century manuscript)

Six-winged seraph from MS 66 (late twelfth-century manuscript)

AN OTTOMAN DRAWING OF A PERI, TURKEY, 16TH CENTURY

AN OTTOMAN DRAWING OF A PERI, TURKEY, 16TH CENTURY

A Soul Symbolized as an Angel

A Soul Symbolized as an Angel

A King of Yaman in the Company of Two Angels

A King of Yaman in the Company of Two Angels

Réunion des Musées Nationaux-Grand Palais - Image of the Moon from Livre de la thériaque (Kitab al-Diryaq). - Jazirah (?). Auteur : Pseudo-Galien.

Réunion des Musées Nationaux-Grand Palais - Image of the Moon from Livre de la thériaque (Kitab al-Diryaq). - Jazirah (?). Auteur : Pseudo-Galien.


Daha fazla fikir
Codex Vindobonensis 8626  Believed painted between 1586 and 1591  by an unknown south German artist in the entourage of Bartolemeo di Pezzana, ambassador of the Holy Roman Emperor Rudolph II to the Sublime Porte.  Now in the Austrian National Library, Vienna

Codex Vindobonensis 8626 Believed painted between 1586 and 1591 by an unknown south German artist in the entourage of Bartolemeo di Pezzana, ambassador of the Holy Roman Emperor Rudolph II to the Sublime Porte. Now in the Austrian National Library, Vienna

شجره عائلة الـــ عثمان , ما قبل الاسلام من كتاب تتبع النسب من سلالة العثمانية. وتمت كتابة ذلك في بغداد .  aldlaagn مؤرخ عثماني

شجره عائلة الـــ عثمان , ما قبل الاسلام من كتاب تتبع النسب من سلالة العثمانية. وتمت كتابة ذلك في بغداد . aldlaagn مؤرخ عثماني

Yataghan from the Court of Süleyman the Magnificent (reigned 1520–66) - Sword maker: Workshop of Ahmed Tekelü (possibly Iranian, active Istanbul, ca. 1520–30) ca. 1525 - Istanbul. Medium: Steel, walrus ivory, gold, silver, ruby, turquoise, pearl

Yataghan from the Court of Süleyman the Magnificent (reigned 1520–66) - Sword maker: Workshop of Ahmed Tekelü (possibly Iranian, active Istanbul, ca. 1520–30) ca. 1525 - Istanbul. Medium: Steel, walrus ivory, gold, silver, ruby, turquoise, pearl

Turkish art - Wikipedia, the free encyclopedia

Turkish art - Wikipedia, the free encyclopedia

AVŞAR BOYU

AVŞAR BOYU

Trainer of carretas in the Ottoman History. Then in time carretas was used as mobile candleholders with candles on their corselet. The carretas walked around to lightening the courtyard of the palace.

Trainer of carretas in the Ottoman History. Then in time carretas was used as mobile candleholders with candles on their corselet. The carretas walked around to lightening the courtyard of the palace.

Hagia Sophia artist impression I urge visitors to head to the upper gallery and just stand there in silence for 5 minutes. As you do this, look around and take in the architecture. Imagine the people that crafted those walls, ceilings, and balustrades

Hagia Sophia of Istanbul Turkey : Photos, Facts & Visitors Information

Hagia Sophia artist impression I urge visitors to head to the upper gallery and just stand there in silence for 5 minutes. As you do this, look around and take in the architecture. Imagine the people that crafted those walls, ceilings, and balustrades

Handwerker bei der Arbeit - Schneider Textilien haben zu feierlichen Anlässen sowie im täglichen Leben der Osmanen eine herausragende Rolle gepielt. Neben der Kostbarkeit der Stoffe zeugte besonders die vorzügliche handwerkliche Qualität von der Kunst der Schneider.

Handwerker bei der Arbeit - Schneider Textilien haben zu feierlichen Anlässen sowie im täglichen Leben der Osmanen eine herausragende Rolle gepielt. Neben der Kostbarkeit der Stoffe zeugte besonders die vorzügliche handwerkliche Qualität von der Kunst der Schneider.

Sitarah (curtain) for the door of the Ka‘bah, commissioned by Sultan Abdülmejid I, Ottoman Egypt, Cairo, dated 1263 AH (1846-7 AD); black silk, with coloured silk appliqués, embroidered in silver and silver-gilt wire over cotton and silk thread padding, Nasser D. Khalili Collection of Islamic Art © Nour Foundation.

Sitarah (curtain) for the door of the Ka‘bah, commissioned by Sultan Abdülmejid I, Ottoman Egypt, Cairo, dated 1263 AH (1846-7 AD); black silk, with coloured silk appliqués, embroidered in silver and silver-gilt wire over cotton and silk thread padding, Nasser D. Khalili Collection of Islamic Art © Nour Foundation.

Peik (Ottoman messenger), originally, messengers or postal runners. They were fast athletic runners and could travel great distances without rest. It took them, for example, two days to get from Edirne to Istanbul on foot. They carried a hanjar (Hancer) - dagger in their girdles, a halberd in their right hands and a handkerchief full of sugar in their left. One of their tasks was to inform the Sultan when the pilgrims had returned from Mecca. The post was abolished in 1828.

Peik (Ottoman messenger), originally, messengers or postal runners. They were fast athletic runners and could travel great distances without rest. It took them, for example, two days to get from Edirne to Istanbul on foot. They carried a hanjar (Hancer) - dagger in their girdles, a halberd in their right hands and a handkerchief full of sugar in their left. One of their tasks was to inform the Sultan when the pilgrims had returned from Mecca. The post was abolished in 1828.

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