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didattica

Interferenze Franco Purini

Interferenze Franco Purini

vitra eames wire chair reinterpreted by odile decq, christian louboutin + philippe starck

vitra eames wire chair reinterpreted by odile decq, christian louboutin + philippe starck

'Paris, Montparnasse', 1993, 187 x 428,7 cm, Aus dem Katalog 'Andreas Gursky' anlässlich der Ausstellung im Haus der Kunst München, 2007; Mi...

'Paris, Montparnasse', 1993, 187 x 428,7 cm, Aus dem Katalog 'Andreas Gursky' anlässlich der Ausstellung im Haus der Kunst München, 2007; Mi...

CURRENT LIVING ROOM DESIGN PROCESS: 0% this would be a nice piece, not for a table but.... maybe plant something in it?

CURRENT LIVING ROOM DESIGN PROCESS: 0% this would be a nice piece, not for a table but.... maybe plant something in it?

Ilya Chashnik was one of the foremost disciples of Kazimir Malevich. He was born into a humble Jewish family in Latvia and spent his childhood in…

Ilya Chashnik was one of the foremost disciples of Kazimir Malevich. He was born into a humble Jewish family in Latvia and spent his childhood in…

El Lissitzky’s "Cabinet of Abstraction" (Kabinett der Abstrakten) was commissioned in 1927 by Alexander Dorner for the Hannover Provincial Museum. In 1926, Soviet artist El Lissitzky was Head of the Department of Furniture and Interior Design at the wood and metal workshop at VKhUTEMAS and...

El Lissitzky’s "Cabinet of Abstraction" (Kabinett der Abstrakten) was commissioned in 1927 by Alexander Dorner for the Hannover Provincial Museum. In 1926, Soviet artist El Lissitzky was Head of the Department of Furniture and Interior Design at the wood and metal workshop at VKhUTEMAS and...

El Lissitsky, pictorial spread from The Isms of Art, 1924.

El Lissitsky, pictorial spread from The Isms of Art, 1924.

Walter Gropius, Joost Schmidt | Exhibition of Non-ferrous Metals | 1934:

Walter Gropius, Joost Schmidt | Exhibition of Non-ferrous Metals | 1934:

Herbert Bayer, design for sculpture garden at the Aspen Institute, 1955

Herbert Bayer, design for sculpture garden at the Aspen Institute, 1955