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Ancient Jewelry

Steampunk Costume, Steampunk Fashion, Steampunk Vest, Diy Fashion, Ideias Fashion, Fashion Design, Fashion Ideas, Fashion Quotes, Work Fashion

Steampunk Costume

Steampunk Fashion

Silver ‘tepelik’ (round metal hat cover), 19th century. In the third quarter of the 20th century reused in the confection of a festive ‘başlık’ (headgear) from Pomak villages in the Biga district (Çanakkale prov.). (Inv.nr. ba$034 - Kavak Costume Collection - Antwerpen/Belgium). Beaded Jewels, Costume Collection, Ethnic Fashion, Fashion History, Sultan, Traditional Outfits, Art Dolls, 20th Century

Costume Collection

Fashion History

Traditional Outfits

Silver ‘tepelik’ (round metal hat cover), 19th century. In the third quarter of the 20th century reused in the confection of a festive ‘başlık’ (headgear) from Pomak villages in the Biga district (Çanakkale prov.). (Inv.nr. ba$034 - Kavak Costume Collection - Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel

Small garment clasp, from northwestern Anatolia. Late-Ottoman, ca. 1925. The clasp is silver plated bronze with set glass paste stones; the chains and dangles are silver. They are fixed (sewed) to a bridal vest from Keles (near Bursa): see the close-up of the costume below. (Inv.n° müç113 - Kavak Costume Collection - Antwerpen/Belgium). Traditional Dance, Traditional Dresses, Tribal Dress, Wedding Costumes, Kars, Festival Dress, Central Asia

Traditional Dance

Traditional Dresses

Wedding Costumes

Small garment clasp, from northwestern Anatolia. Late-Ottoman, ca. 1925. The clasp is silver plated bronze with set glass paste stones; the chains and dangles are silver. They are fixed (sewed) to a bridal vest from Keles (near Bursa): see the close-up of the costume below. (Inv.n° müç113 - Kavak Costume Collection - Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel

‘Karanfilli gelin kolyesi’. Bridal necklace from Tavas (south of Denizli). With clove, glass pearls and small copper (imitation) coins. Rural, early 21th century. The clove is used because of its pleasant smell, which is symbolically transferred to the bride. (Kavak Folklor Ekibi & Costume Collection-Antwerpen/Belgium). Tribal Jewelry, Beaded Jewelry, Boho Chic, Collar Hippie, Crochet Necklace, Beaded Necklace, Ancient Jewelry, Bridal Necklace

Crochet Necklace

Beaded Necklace

Ancient Jewelry

Bridal Necklace

‘Karanfilli gelin kolyesi’. Bridal necklace from Tavas (south of Denizli). With clove, glass pearls and small copper (imitation) coins. Rural, early 21th century. The clove is used because of its pleasant smell, which is symbolically transferred to the bride. (Kavak Folklor Ekibi & Costume Collection-Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel

Silvia Rodan Textile Necklace, Fabric Necklace, Textile Jewelry, Fabric Jewelry, Fiber Art Jewelry, Jewelry Art, Jewelry Accessories, Felt Necklace

Textile Necklace

Fabric Necklace

Textile Jewelry

Fiber Art Jewelry

Jewelry Accessories

Traditional bridal/festive ‘gerdanlık’ (choker necklace). From the Pomak villages in the Biga district (Çanakkale province). 1925-1950. Bead-work with small glass beads, late-Ottoman coins and a shell. (Inv.nr. bon030 - Kavak Costume Collection - Antwerpen/Belgium). (SOLD to the ‘Etnografisch Museum, Antwerpen’, as part of a full costume). Republic Of Macedonia, Bead Work, Jewelery, Ethnic, Glass Beads, Chokers

Republic Of Macedonia

Traditional bridal/festive ‘gerdanlık’ (choker necklace). From the Pomak villages in the Biga district (Çanakkale province). 1925-1950. Bead-work with small glass beads, late-Ottoman coins and a shell. (Inv.nr. bon030 - Kavak Costume Collection - Antwerpen/Belgium). (SOLD to the ‘Etnografisch Museum, Antwerpen’, as part of a full costume).

Jean-Marie Criel

Jean-Marie Criel

Several traditional ‘gerdanlık’ (chooker/tight-fitting necklaces). From the Pomak villages near Biga (Çanakkale province), ca. 1925-1950. Part of women’s festive costumes. Bead-work made of small coloured glass beads; with late-Ottoman & early-Republican coins. (Source: Tekin Uludoğan, Balıkesir). Lace Jewelry, Handmade Beaded Necklaces, Handmade Beads, Handmade Jewelry, India Necklace, Art Dolls Handmade, Earring Tutorial

Handmade Beaded Necklaces

Handmade Jewelry

Art Dolls Handmade

Earring Tutorial

Several traditional ‘gerdanlık’ (chooker/tight-fitting necklaces). From the Pomak villages near Biga (Çanakkale province), ca. 1925-1950. Part of women’s festive costumes. Bead-work made of small coloured glass beads; with late-Ottoman & early-Republican coins. (Source: Tekin Uludoğan, Balıkesir).

Jean-Marie Criel

Jean-Marie Criel

Orijinal Türk Kadın Başlıkları - folklor55 - Blogcu.com Pearl Decorations, Tribal Belly Dance, Abstract Faces, Silver Coins

Pearl Decorations

Tribal Belly Dance

Orijinal Türk Kadın Başlıkları - folklor55 - Blogcu.com

‘Karanfilli gelin kolyesi’. Bridal necklace from Tavas (south of Denizli). With clove, glass pearls and small copper (imitation) coins. Rural, early 21th century. The clove is used because of its pleasant smell, which is symbolically transferred to the bride. (Kavak Folklor Ekibi & Costume Collection-Antwerpen/Belgium).

‘Karanfilli gelin kolyesi’. Bridal necklace from Tavas (south of Denizli). With clove, glass pearls and small copper (imitation) coins. Rural, early 21th century. The clove is used because of its pleasant smell, which is symbolically transferred to the bride. (Kavak Folklor Ekibi & Costume Collection-Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel

Traditional festive costume from the Tefenni district (southwest of Burdur). Style: mid 20th century. These are recent workshop-made copies, as worn by folk dance groups. Folk Dance, Folklore, Kaftan, Workshop, Necklaces

Traditional festive costume from the Tefenni district (southwest of Burdur). Style: mid 20th century. These are recent workshop-made copies, as worn by folk dance groups.

Jean-Marie Criel

Jean-Marie Criel

A bridal headgear of the Alevi Türkmen from Kozak Yaylası, near Bergama. Rural style, 1950-1975. Global Dress, Folk Clothing, Folk Dresses, World Cultures

A bridal headgear of the Alevi Türkmen from Kozak Yaylası, near Bergama. Rural style, 1950-1975.

Jean-Marie Criel

Jean-Marie Criel

A 'paralı arkalık' (waistband with coins) for women. From western Anatolia, mid-20th century. The triangle with coins is original, the (fabric) upper part of the garment has been renewed. 133 late-Ottoman (rather small) silver coins, 2 early-Republican 'one kuruş'-coins (1939), one circular silver dangle, plastic beads and 7 late-Ottoman copper coins. Purchased in Beyşehir (near Konya) in 1987. (Inv.n° müç178 - Kavak Costume Collection - Antwerpen/Belgium). Copper Coins, Plastic Beads, Ethnic Jewelry, Passion For Fashion, Ottoman, Triangle

Passion For Fashion

A 'paralı arkalık' (waistband with coins) for women. From western Anatolia, mid-20th century. The triangle with coins is original, the (fabric) upper part of the garment has been renewed. 133 late-Ottoman (rather small) silver coins, 2 early-Republican 'one kuruş'-coins (1939), one circular silver dangle, plastic beads and 7 late-Ottoman copper coins. Purchased in Beyşehir (near Konya) in 1987. (Inv.n° müç178 - Kavak Costume Collection - Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel

Traditional festive headgear of an Üsküdarlı Tahtacı woman, from the Bergama region. Gold (imitation) coins and glass beadwork. The Tahtacı are Alevi Türkmen. Picture from ca. 2005. Muslim Culture, Black Abaya, We Are The World, Navratri, Real Beauty

We Are The World

Traditional festive headgear of an Üsküdarlı Tahtacı woman, from the Bergama region. Gold (imitation) coins and glass beadwork. The Tahtacı are Alevi Türkmen. Picture from ca. 2005.

Jean-Marie Criel

Jean-Marie Criel

Close-up of a traditional festive ensemble (‘şalvar’/baggy trousers + ‘cepken’/long-sleeved vest) from the Muğla region. Late-Ottoman, urban style, circa 1925-1950. Adorned with goldwork embroidery (in ‘Maraş işi’-technique) on silk. (Kavak Costume Collection - Antwerpen/Belgium). Gold Work, Festival Wear

Close-up of a traditional festive ensemble (‘şalvar’/baggy trousers + ‘cepken’/long-sleeved vest) from the Muğla region. Late-Ottoman, urban style, circa 1925-1950. Adorned with goldwork embroidery (in ‘Maraş işi’-technique) on silk. (Kavak Costume Collection - Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel

‘Karanfilli gelin kolyesi’. Bridal necklace from Tavas (south of Denizli). With clove, glass pearls and small copper (imitation) coins. Rural, early 21th century. The clove is used because of its pleasant smell, which is symbolically transferred to the bride. (Kavak Folklor Ekibi & Costume Collection-Antwerpen/Belgium).

‘Karanfilli gelin kolyesi’. Bridal necklace from Tavas (south of Denizli). With clove, glass pearls and small copper (imitation) coins. Rural, early 21th century. The clove is used because of its pleasant smell, which is symbolically transferred to the bride. (Kavak Folklor Ekibi & Costume Collection-Antwerpen/Belgium).

Jean-Marie Criel

Jean-Marie Criel