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Munzur river #Tunceli #Turkey

Munzur river #Tunceli #Turkey

Winter Stream Winter Scene http://www.abandoned-places.net

Winter Stream Winter Scene http://www.abandoned-places.net

First Snowfall, Duluth, Minnesota sus colores son una belleza arboles y flores que hermosa combinacion

First Snowfall, Duluth, Minnesota sus colores son una belleza arboles y flores que hermosa combinacion

Chungking Express (Chung Hing sam lam), 1994 (dir. Wong Kar-Wai) By collagefilm

Chungking Express (Chung Hing sam lam), 1994 (dir. Wong Kar-Wai) By collagefilm

'Happy Together' (Wong Kar Wai, 1997) Cinematography by Christopher Doyle

'Happy Together' (Wong Kar Wai, 1997) Cinematography by Christopher Doyle

"Fallen Angels" 1995, Christopher Doyle, F, Wong Kar-wai

"Fallen Angels" 1995, Christopher Doyle, F, Wong Kar-wai

In the Mood for Love // Wong Kar Wai // Cinemaphotography by Christopher Doyle

In the Mood for Love (2000)

In the Mood for Love // Wong Kar Wai // Cinemaphotography by Christopher Doyle

2001 In The Mood For Love (Fa Yeung Nin Wa) Director: Kar Wai Wong IMDb 8.1 http://www.imdb.com/title/tt0118694/?ref_=nm_knf_t2

In the Mood for Love (2000)

2001 In The Mood For Love (Fa Yeung Nin Wa) Director: Kar Wai Wong IMDb 8.1 http://www.imdb.com/title/tt0118694/?ref_=nm_knf_t2

In the Mood for Love (2000) Directed by Kar-wai Wong. Cinematography by Christopher Doyle.

In the Mood for Love (2000) Directed by Kar-wai Wong. Cinematography by Christopher Doyle.

As Tears Go By, Dir. Wong Kar-wai, 1988

As Tears Go By, Dir. Wong Kar-wai, 1988

Happy Together (Wong Kar-wai, 1997)

Happy Together (Wong Kar-wai, 1997)

“Nearly every shot is framed, refracted, bisected. Mrs. Chan and Mr. Chow are distanced from themselves, each other, us. But the camera is still active, hanging back in realistic remove before tracking and panning in languorous slow motion. Two different cinematographers are at work—Christopher Doyle and longtime Hou Hsiao-hsien DP Mark Ling Ping-bin—but their styles play as two sides of the same dream. All of the images burn, then all too quickly expire.” Eric Hynes, Reverse Shot

“Nearly every shot is framed, refracted, bisected. Mrs. Chan and Mr. Chow are distanced from themselves, each other, us. But the camera is still active, hanging back in realistic remove before tracking and panning in languorous slow motion. Two different cinematographers are at work—Christopher Doyle and longtime Hou Hsiao-hsien DP Mark Ling Ping-bin—but their styles play as two sides of the same dream. All of the images burn, then all too quickly expire.” Eric Hynes, Reverse Shot

2046 (2004), director: Wong Kar Wai -- Thích biểu cảm của Chương Tử Di. Thích cả nhạc phim nữa, nhất là Dark Chariot

2046 (2004), director: Wong Kar Wai -- Thích biểu cảm của Chương Tử Di. Thích cả nhạc phim nữa, nhất là Dark Chariot

'Deja Vu'[Chivas Regal] (Wong Kar Wai) Cinematography by Philippe Le Sourd

'Deja Vu'[Chivas Regal] (Wong Kar Wai) Cinematography by Philippe Le Sourd

2046 stills #cinematography #films #movies - Interesting Palette and lighting...

2046 (2004)

2046 stills #cinematography #films #movies - Interesting Palette and lighting...

'Ashes of Time Redux' (Wong Kar Wai, 1994) Cinematography by Christopher Doyle

'Ashes of Time Redux' (Wong Kar Wai, 1994) Cinematography by Christopher Doyle

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