René Magritte. Surreal, or real? Don't we all put masks on every day in the "social construction of reality?"

René Magritte. Surreal, or real? Don't we all put masks on every day in the "social construction of reality?"

Rene Magritte: are we really only faceless wonders in this world we live?

Rene Magritte: are we really only faceless wonders in this world we live?

The masterpiece or the mysteries of the horizon - Rene Magritte

The masterpiece or the mysteries of the horizon - Rene Magritte

One of my favourite artists, Magritte's work.  I like how all his backgrounds and figures are so realistic, yet what they are doing is impossible.

One of my favourite artists, Magritte's work. I like how all his backgrounds and figures are so realistic, yet what they are doing is impossible.

René Magritte.  Have always loved the eerie stillness in his work - even with this flying dove it is a very quiet space.

René Magritte. Have always loved the eerie stillness in his work - even with this flying dove it is a very quiet space.

Image detail for -Magritte: Attempting the Impossible « Southeastern Art Gallery News

Image detail for -Magritte: Attempting the Impossible « Southeastern Art Gallery News

Magritte  the happy donor Artist: Rene Magritte Completion Date: 1966 Place of Creation: Belgium Style: Surrealism Period: Later Period Genre: symbolic painting

Magritte the happy donor Artist: Rene Magritte Completion Date: 1966 Place of Creation: Belgium Style: Surrealism Period: Later Period Genre: symbolic painting

René Magritte Belgian, 1898–1967, The Banquet

René Magritte Belgian, 1898–1967, The Banquet

'The Lovers' - Rene Magritte (1928) - The veils worn by the two figures allow the viewer to attribute any face to the figure and therefore the beauty of the subjects cannot be questioned.

'The Lovers' - Rene Magritte (1928) - The veils worn by the two figures allow the viewer to attribute any face to the figure and therefore the beauty of the subjects cannot be questioned.

The Son of Man, Rene Magritte -- self-portrait with the hope of conveying important messages about the individual. Magritte stated “Everything we see hides another thing. We always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.”

The Son of Man, Rene Magritte -- self-portrait with the hope of conveying important messages about the individual. Magritte stated “Everything we see hides another thing. We always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.”

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