Robert donat

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an old photo of a man with a pipe in his hand and looking at the camera

Initially, around 1930 and 1931, Robert Donat was known as “screen test” Donat in the industry because of his many unsuccessful auditions for film producers.[6] MGM’s producer Irving Thalberg spotted him on the London stage in Precious Bane, and Donat was offered a part in the American studio’s Smilin’ Through (1932). He rejected this offer. […]

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a man in a coat and tie is holding a cup while looking at the camera

Through a glass lightly... Another week, another Hitchcock restoration premier - not that I'm taking it for granted - and another brave choice of music... Following Shlomo's beatbox score for Downhill, this time the BFI had commissioned electronic composer Mira Calix, who I’d last seen performing a DJ set at Warp Records' 20th anniversary all-nighter. This time Calix was performing her own music, using a bank of electronic kit, pre-recorded instrumentation and supported by the Juice Vocal…

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