KIMU │ The New Old Vase: Walnut

At the beginning of spring, KIMU gives our classic “The New Old Vase” a brand new look inspired by Ellsworth Kelly’s masterpiece, Colors for a Large Wall,1951.
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The New Old Vase / 1962 Red — KIMU Design
In the beginning of spring, KIMU gives our classic “The New Old Vase” a brand new look inspired by Ellsworth Kelly’s masterpiece, Colors for a Large Wall,1951.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
In the beginning of spring, KIMU gives our classic “The New Old Vase” a brand new look inspired by Ellsworth Kelly’s masterpiece, Colors for a Large Wall,1951.
The New Old Vase / 1962 Red — KIMU Design
In the beginning of spring, KIMU gives our classic “The New Old Vase” a brand new look inspired by Ellsworth Kelly’s masterpiece, Colors for a Large Wall,1951.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.
The New Old Vase / 1962 Red — KIMU Design
Positioning a receptacle redesigned to one crafted from wood transforms the cultural imagery of the object: Place the wooden flower ware on top of the linear framework and flowers and plants are free to unfold in the same manner as the outgoing broad-mindedness cultural values of the Western world.