Melike Temiz

Melike Temiz

Melike Temiz
Melike adlı kullanıcıdan daha fazla fikir
Pretty, vintage lace dress

Pretty, vintage lace dress

Illuminated Manuscript, History of Nigaristan, Illuminated Frontispiece

Illuminated Manuscript, History of Nigaristan, Illuminated Frontispiece

Folio from a Khamsa (Quintet) by Nizami (d.1209); frontispiece 1548 Safavid period Ink, opaque watercolor and gold on paper H: 30.9 W: 18.3 cm Shiraz, Iran Gift of Charles Lang Freer F1908.259.1-2 Freer-Sackler | The Smithsonian’s Museums of Asian Art

Folio from a Khamsa (Quintet) by Nizami (d.1209); frontispiece 1548 Safavid period Ink, opaque watercolor and gold on paper H: 30.9 W: 18.3 cm Shiraz, Iran Gift of Charles Lang Freer F1908.259.1-2 Freer-Sackler | The Smithsonian’s Museums of Asian Art

Carreau de bordure - Iznik, vers 1506

Carreau de bordure - Iznik, vers 1506

A copy of a Koran in 30 parts, written in Naskh Iran, Herat?; 925 H = 1519 Each leaf: 23.8 × 15.8 cm This Koran has had a turbulent life. It...

A copy of a Koran in 30 parts, written in Naskh Iran, Herat?; 925 H = 1519 Each leaf: 23.8 × 15.8 cm This Koran has had a turbulent life. It...

QURAN Scribe and artist: Mulla Ala Bik Tabrizi?, Iran, second half of the 16th century, 15 x 10 1/8 in. (38.1 x 25.7 cm), MS. Ouseley Add. 178, fol. 2aThis ornate copy of the Quran in Arabic is a superb example of Safavid illumination. This splendid full-page image is a distinctive Islamic decorative device called a carpet page. Such panels were painted in imitation of the design of a carpet, often with geometric and floral patterns.

QURAN Scribe and artist: Mulla Ala Bik Tabrizi?, Iran, second half of the 16th century, 15 x 10 1/8 in. (38.1 x 25.7 cm), MS. Ouseley Add. 178, fol. 2aThis ornate copy of the Quran in Arabic is a superb example of Safavid illumination. This splendid full-page image is a distinctive Islamic decorative device called a carpet page. Such panels were painted in imitation of the design of a carpet, often with geometric and floral patterns.

Frontispiece to a Khamsa (Quintet) by Nizami (d.1209) A.H.1509/ 1527-1528 A.D. Safavid period Opaque watercolor, ink and gold on paper H: 22.3 W: 11.5 cm Possibly Isfahan, Iran Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler S1986.37 Freer-Sackler | The Smithsonian’s Museums of Asian Art

Frontispiece to a Khamsa (Quintet) by Nizami (d.1209) A.H.1509/ 1527-1528 A.D. Safavid period Opaque watercolor, ink and gold on paper H: 22.3 W: 11.5 cm Possibly Isfahan, Iran Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler S1986.37 Freer-Sackler | The Smithsonian’s Museums of Asian Art

"Y" Leaf from Alphabet Book | France; Paris | 16th century | Walters Art Museum | Accession #: W.200.29V

"Y" Leaf from Alphabet Book | France; Paris | 16th century | Walters Art Museum | Accession #: W.200.29V

Dish Date: late 16th century Geography: Turkey, Iznik

Dish Date: late 16th century Geography: Turkey, Iznik

TWO OTTOMAN BLUE AND WHITE TILES, TURKEY OR SYRIA, LATE 16TH CENTURY each of rectangular form, decorated in cobalt blue, with issuing sprays of saz leaves, tulips, carnations and rosettes

TWO OTTOMAN BLUE AND WHITE TILES, TURKEY OR SYRIA, LATE 16TH CENTURY each of rectangular form, decorated in cobalt blue, with issuing sprays of saz leaves, tulips, carnations and rosettes