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Details of a large embroidered headscarf (fragment), Crimean Tatar, from Turkey, ca. 1900.  Called 'marama'.  Embroidered in mercerized cotton on cotton (organdy), 79 cm wide fragment, with two existing ends.  Height of embroidery (from the tip of twigs to the edge of cloth): 12 cm.  The design and technique are similar to embroideries seen in 19th century pieces produced in Ottoman Turkey.  (The Asiye-Zeynep Collection, Washington DC).

Details of a large embroidered headscarf (fragment), Crimean Tatar, from Turkey, ca. 1900. Called 'marama'. Embroidered in mercerized cotton on cotton (organdy), 79 cm wide fragment, with two existing ends. Height of embroidery (from the tip of twigs to the edge of cloth): 12 cm. The design and technique are similar to embroideries seen in 19th century pieces produced in Ottoman Turkey. (The Asiye-Zeynep Collection, Washington DC).

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Instagram photo by @tel__kirma | Iconosquare

Instagram photo by @tel__kirma | Iconosquare

A ‘makrama’ (napkin). From the Göynük region (halfway Bolu and Bilecik). Early 20th century. ‘Two-sided’ (identical on both sides) embroidery, silk & metallic on cotton cloth. If edged, the item could also be used as a ‘yemeni’ (large head scarf) for women. In Göynük town, tens of these ‘makrama’ cover the cenotaph sarcophagi of local ‘saints’, generally dervishes from important Soufi Orders or connected with the Ottoman power. (Kavak Collection of Anatolian Textiles -Antwerpen/Belgium).

A ‘makrama’ (napkin). From the Göynük region (halfway Bolu and Bilecik). Early 20th century. ‘Two-sided’ (identical on both sides) embroidery, silk & metallic on cotton cloth. If edged, the item could also be used as a ‘yemeni’ (large head scarf) for women. In Göynük town, tens of these ‘makrama’ cover the cenotaph sarcophagi of local ‘saints’, generally dervishes from important Soufi Orders or connected with the Ottoman power. (Kavak Collection of Anatolian Textiles -Antwerpen/Belgium).

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