bannières et insignes

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قطعه مخملی، ابریشم؛ آغاز قرن 17 میلادی Fragment of a velvet, silk and metal lamella, woven flat Iran; beginning of 17th century H: 81; W: 32.5 cm Persian weavers in the 16th and 17th centuries were able to produce velvets of hitherto unparalleled technical complexity. The silver-colored ground of this fragment has almost completely disappeared, but its wealth of color is otherwise unusually well preserved.

قطعه مخملی، ابریشم؛ آغاز قرن 17 میلادی Fragment of a velvet, silk and metal lamella, woven flat Iran; beginning of 17th century H: 81; W: 32.5 cm Persian weavers in the 16th and 17th centuries were able to produce velvets of hitherto unparalleled technical complexity. The silver-colored ground of this fragment has almost completely disappeared, but its wealth of color is otherwise unusually well preserved.

A Kaaba Cover, Period of Sultan Mahmud II (Osmanlı Settare-i Şerife)

A Kaaba Cover, Period of Sultan Mahmud II (Osmanlı Settare-i Şerife)

AN IMPORTANT OTTOMAN SILK AND METAL-THREAD EXTERNAL CURTAIN (BURQA) FOR THE HOLY KA'BA DOOR, BEARING THE NAME OF SULTAN SELIM II (R.1566-74), TURKEY, CIRCA 1800

AN IMPORTANT OTTOMAN SILK AND METAL-THREAD EXTERNAL CURTAIN (BURQA) FOR THE HOLY KA'BA DOOR, BEARING THE NAME OF SULTAN SELIM II (R.1566-74), TURKEY, CIRCA 1800

Ottoman Embroidery 19th century

Ottoman Embroidery 19th century

AN OTTOMAN BANNER Altın Sırma Saçaklı Osmanlı Sancak

AN OTTOMAN BANNER Altın Sırma Saçaklı Osmanlı Sancak

AN OTTOMAN SILK AND METAL THREAD RED-GROUND CURTAIN, TURKEY OR EGYPT, DATED 1295 AH/1878 AD of rectangular form, the red silk ground embroidered throughout with silver and gilt metal threads, the calligraphic cartouches with ochre-coloured silk drops between silver-thread roundels, featuring a central stylised mihrab with a hanging lamp flanked by half columns and framed by an archway with foliate spandrels 219 by 138cm.

AN OTTOMAN SILK AND METAL THREAD RED-GROUND CURTAIN, TURKEY OR EGYPT, DATED 1295 AH/1878 AD of rectangular form, the red silk ground embroidered throughout with silver and gilt metal threads, the calligraphic cartouches with ochre-coloured silk drops between silver-thread roundels, featuring a central stylised mihrab with a hanging lamp flanked by half columns and framed by an archway with foliate spandrels 219 by 138cm.

Sitr / sitarah (curtain) for the mahmal, bearing the tughra of Sultan Abdülaziz, presented by Isma‘il Pasha, the khedive of Egypt, Ottoman Egypt, Cairo, 1867-76; embroidered in silver and silver-gilt wire over cotton and silk thread padding. The Mah'mal, or litter, is a wooden erection in pyramidal form and is hung by beautiful embroidered fabrics. These hangings, or coverings, accompany the litter and are intended for the most sacred sanctuary of the interior of the Mosque of Huseyn at…

Sitr / sitarah (curtain) for the mahmal, bearing the tughra of Sultan Abdülaziz, presented by Isma‘il Pasha, the khedive of Egypt, Ottoman Egypt, Cairo, 1867-76; embroidered in silver and silver-gilt wire over cotton and silk thread padding. The Mah'mal, or litter, is a wooden erection in pyramidal form and is hung by beautiful embroidered fabrics. These hangings, or coverings, accompany the litter and are intended for the most sacred sanctuary of the interior of the Mosque of Huseyn at…

osmanlı devlet arması

osmanlı devlet arması

Embroidered panel. Late-Ottoman, 2nd half of 19th century.  With a sultan's ‘tuğra’/seal in the center.  'Goldwork' embroidery on velvet; the design is 'Turkish baroque', which was influenced by the European neo-Baroque and 'Nouvel Empire' styles.

Embroidered panel. Late-Ottoman, 2nd half of 19th century. With a sultan's ‘tuğra’/seal in the center. 'Goldwork' embroidery on velvet; the design is 'Turkish baroque', which was influenced by the European neo-Baroque and 'Nouvel Empire' styles.

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