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Oskar Schlemmer, diagram for his course at the Bauhaus on “Man”

Oskar Schlemmer, diagram for his course at the Bauhaus on “Man”

Bauhaus costume - fabulous! I wonder what it was for?

Bauhaus costume - fabulous! I wonder what it was for?

Dancers from Oskar Schlemmer’s Triadic Ballet at the Bauhaus (1926)

Dancers from Oskar Schlemmer’s Triadic Ballet at the Bauhaus (1926)

Oskar Schlemmer. Disk Dancer (Scheibentänzer) from Notes and Sketches for the Triadic Ballet (Das triadische Ballett). (c. 1938)

Oskar Schlemmer. Disk Dancer (Scheibentänzer) from Notes and Sketches for the Triadic Ballet (Das triadische Ballett). (c. 1938)

Amazing work by Oskar Schlemmer.  He was German artist working with Bauhaus. One of the main aspects of his work included representing human bodies and it's movement as architectural forms, playing with the convex and concave surfaces.

Amazing work by Oskar Schlemmer. He was German artist working with Bauhaus. One of the main aspects of his work included representing human bodies and it's movement as architectural forms, playing with the convex and concave surfaces.

dance notation - Rudolf Von Laban’s Gammes Dynamosphériques, séquence de mouvement “A” et “B” From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse

dance notation - Rudolf Von Laban’s Gammes Dynamosphériques, séquence de mouvement “A” et “B” From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse

Oskar Schlemmer costume for Treadic Ballet 1922

Oskar Schlemmer costume for Treadic Ballet 1922

Klaus Rudolf Barthelmess, Nude Drawing from Oskar Schlemmer’s class, 1922 Bauhaus Archive / Museum of Design, Berlin (2655)

Klaus Rudolf Barthelmess, Nude Drawing from Oskar Schlemmer’s class, 1922 Bauhaus Archive / Museum of Design, Berlin (2655)

Oskar Schlemmer (German, 1888 - 1943). "Figur". Pen and ink drawing. 1921.

Oskar Schlemmer (German, 1888 - 1943). "Figur". Pen and ink drawing. 1921.

Rudolf_Laban  Ses recherches théoriques se concrétisent par l’élaboration d’une notation du mouvement, la cinétographie  Il développe également, accompagné et suivi par ses collaborateurs, une analyse du mouvement comprenant 4 grands axes :  Body (le corps)  Space (l’espace)  Effort (l’effort)  Shape (la forme).

Rudolf_Laban Ses recherches théoriques se concrétisent par l’élaboration d’une notation du mouvement, la cinétographie Il développe également, accompagné et suivi par ses collaborateurs, une analyse du mouvement comprenant 4 grands axes : Body (le corps) Space (l’espace) Effort (l’effort) Shape (la forme).

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