+ISTANBUL INTERIORS+

Interior Design Inspiration from Istanbul - Heritage living in Istanbul
Inside Sirkeci train station, once the terminus of the Orient Express.

Inside Sirkeci train station, once the terminus of the Orient Express.

The sight and sound of splashing water added an element of congeniality to an enclosed space in traditional Turkish architecture and the well-off often had an indoor pool with fountains, such as this one in the Kibrislilar Yalisi, Kandilli, Istanbul

The sight and sound of splashing water added an element of congeniality to an enclosed space in traditional Turkish architecture and the well-off often had an indoor pool with fountains, such as this one in the Kibrislilar Yalisi, Kandilli, Istanbul

Serdar Gulgun's Cengelkoy house

Serdar Gulgun's Cengelkoy house

On the Bosporus with echoes of Ottoman Exoticism, a waterfront yali   raises again in Istanbul--Interior Design by Mica Ertegun of MAC II

On the Bosporus with echoes of Ottoman Exoticism, a waterfront yali raises again in Istanbul--Interior Design by Mica Ertegun of MAC II

Ostrorog Yalisi was buil by Count Ostrorog, a Polish nobleman who served as a legal consultant to the Ottoman Ministry of Justice at the beginning of the 20th century. Kandilli, Istanbul

Ostrorog Yalisi was buil by Count Ostrorog, a Polish nobleman who served as a legal consultant to the Ottoman Ministry of Justice at the beginning of the 20th century. Kandilli, Istanbul

Four Seasons Istanbul Bosphorus

Four Seasons Istanbul Bosphorus

tevfik cenani mansion - nedret butler's mother hatice muazzez ercan's residence, çengelköy, istanbul, turkey

tevfik cenani mansion - nedret butler's mother hatice muazzez ercan's residence, çengelköy, istanbul, turkey

Summer yali by Mica Etregun in Istanbul

AD 100: Mica Ertegun

Summer yali by Mica Etregun in Istanbul

yali bedroom

yali bedroom

In this portrait, painted when he was ambassador to London, a mere decade after the first portrait, Kibrisli Mehmet Emin Pasha is only about forty. The strain of his domestic problems is all too clear. The photograph dates from the yali's heyday at the turn of the century, when it was filled with politicians, philosophers and writers.

In this portrait, painted when he was ambassador to London, a mere decade after the first portrait, Kibrisli Mehmet Emin Pasha is only about forty. The strain of his domestic problems is all too clear. The photograph dates from the yali's heyday at the turn of the century, when it was filled with politicians, philosophers and writers.

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