Farrukh Beg

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clatskani:    The Aged Mullah, Farrukh Beg, c.1615. Opaque watercolour and gold on paper (India, Jahangir Period).

clatskani: The Aged Mullah, Farrukh Beg, c.1615. Opaque watercolour and gold on paper (India, Jahangir Period).

Farrukh Beg, Akbar's Triumphal Entry into Surat, Gujarat. Akbarnama, 1590-95, Victoria and Albert Museum, London

Farrukh Beg, Akbar's Triumphal Entry into Surat, Gujarat. Akbarnama, 1590-95, Victoria and Albert Museum, London

Farrukh Beg, Sultan Ibrahim Adil Shah II riding his prized elephant, Atash Khan; Bijapur, Deccan, ca. 1600; opaque watercolor and gold on paper.

Farrukh Beg, Sultan Ibrahim Adil Shah II riding his prized elephant, Atash Khan; Bijapur, Deccan, ca. 1600; opaque watercolor and gold on paper.

The engraving that inspired Farrukh Beg’s work:  Dolor, by Raphael Sadeler I, after a drawing by Maarten de Vos.

The engraving that inspired Farrukh Beg’s work: Dolor, by Raphael Sadeler I, after a drawing by Maarten de Vos.

Portrait of St. Jerome signed by Farrukh Beg, India 1615

Portrait of St. Jerome signed by Farrukh Beg, India 1615

Farrukh Beg. Sultan Ibrahim Adil Shah II Khan hawking. Page from St. Petersburg Album. Bijapur ca.1590-95 (28,7x15,6cm) Institute of Oriental Studies St. Petersburg

Farrukh Beg. Sultan Ibrahim Adil Shah II Khan hawking. Page from St. Petersburg Album. Bijapur ca.1590-95 (28,7x15,6cm) Institute of Oriental Studies St. Petersburg

Drawing, in ink, watercolour and gold on paper

Drawing

Drawing, in ink, watercolour and gold on paper

Painting of an aged mulla, by Farrokh Beg, opaque watercolour and gold on paper, Mughal, 1605-1627. V London

Painting

Painting of an aged mulla, by Farrokh Beg, opaque watercolour and gold on paper, Mughal, 1605-1627. V London

Self-Portrait of Farrukh Beg: Page from a Muraqqa of Shah Jahan  Farrukh Beg, c. 1615

Self-Portrait of Farrukh Beg: Page from a Muraqqa of Shah Jahan Farrukh Beg, c. 1615


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